AACC Mission  I  Meet the Staff 

AACC Founder

Malcolm Erni


Our Mission

Since 1958, the African-American Cultural Center, Inc. has enabled spirits to soar and offered sanctuary, validation and celebration for the duality of being African and American. 


The African American Cultural Center was founded by Malcolm Erni, an evangelist with Caribbean roots who had

a devout faith in the virtue of his ancestry. Born and raised

in Buffalo NY, Erni dreamed of a cultural and spiritual sanctuary where young people would learn that God is a God of all races and ethnic groups. The first meetings of the African Cultural Center incorporated in the mid-60s as the African-American Cultural Center- were held on Friday and Saturday nights in a funeral home. Soon after, the group moved to the basement of a church near Glenwood Avenue, where drummer Oba-Ya began the first AACC drumming lessons. Infuriated, the clergy expelled Erni and his group in 1963. 


In 1964 the Center found a new home at 382 Wohlers Avenue and opened The African Door, which was a coffeehouse that served herbal tea and provided a stage and audience for artistic director Ameer Al-Haqq. New York choreographer Oliver Jones, a student of Baba Olatunji, and choreographers Helena Walker and Benji Owala joined the staff during this era, and native Buffalonian Carl Tillman began teaching creative writing. 


James Pappas, then a student at the University at Buffalo, later a founder of the Langston Hughes Center for the Visual and Performing Arts, and now a professor in the UB College of Arts and Sciences - offered instruction in the fundamentals of design and form. Erni also put into place a choral workshop.


Between 1966 and 1967 the Center moved to a Jefferson Avenue loft above a dentist office where the African drumming often competed with the drilling. At this home, model Helen Williams and renowned choreographer and folklorist Pearl Primus joined the AACC family, providing spiritual and cultural direction on a new level. Primus integrated Yoruba songs, dance, and principles into the Center's curriculum, and became a major influence in establishing the Center's permanent home at 350

Masten Avenue.


Malcolm Erni

1936 - 2010


The AACC first occupied the Masten Avenue location, which was a former welding business, as a tenant, maintaining its programs on a monthly United Fund stipend. With an eye toward the long term viability of the institution, Erni and the board mounted a capital campaign to raise funds to purchase the property and achieve a degree of financial independence.


Now under the guidance of Tina Washington-Abubeker, the African American Cultural Center continues to evolve in response to the changing landscape of real time and the future. It serves clientele ages six through senior throughout the city of Buffalo, and remains a sentinel to Malcolm's founding vision. With a careful eye on meeting the contemporary needs of its users and patrons, its mission remains steadfast to the guiding principles and ancient rhythms of the ancestry it promotes and preserves.

From the multi-disciplinary AACC Cultural Enrichment / Educational Directives After School Program and Jumpin' Jambalaya Summer Program to the soul-stirring AACC Dance and Drum Performance Company (its cornerstone component), inspirational Paul Robeson Theatre and entertaining Pine Grill Jazz Reunion, the African American Cultural Center stands firmly committed to promoting a positive sense of self among the community it was founded to serve. Its programs and services are still structured to motivate personal growth, stimulate untapped potential and facilitate a better understanding of cultural diversity among all people.

A Look Ahead:
Capital Development




       “As we continue to serve our community, many of our future goals will center around capital development; the planning and constructing the African American Cultural Center Campus. With the expansion in size, we will be able to serve the community at an even greater capacity allowing for more participants in all components. For example, we will have classrooms for teaching, after-school, and summer programs. There will be both interactive and display museums with archival facilities for the preservation of Pan African and Diaspora artifacts, relics, and historical memorabilia. A larger Paul Roberson Theater can fit more patrons and expand the theatrical experience by having classrooms for teaching acting. The dance & drumming component will have a venue to teach and perform onsite.  We can also provide for other kinds of performances and include other genres of the Arts such as an African American visual art gallery.  Finally, I envision the AACC campus having facilities to host both indoor and outdoor concerts and a courtyard. By being situated in our current location between Frank Merriweather Library/cultural base of Jefferson Avenue and the historical Michigan Corridor/Underground Railroad, the African American Cultural Center Campus will be another treasure to complement the historical sites that we already cherish in the City of Buffalo, further solidifying our designation as one of the top venues for African/ African American history and culture.” 


               – Tina Washington-Abubeker, Director

AACC Urban Cultural Campus Project.png

The African American Cultural Center is a 501 (c) (3) not for profit multipurpose cultural arts and education institution supported through public funds from the City of Buffalo Community Development Block Grant, City of Buffalo Anti-Violence & Cultural Arts Funding, the County of Erie, Erie, County Youth Bureau, NYS Council on the Arts with support from Governor Andrew Cuomo and the New York State Legislature, NYS Office of Children and Family Services, New York State Criminal Justice Services,,  United Way of Buffalo & Erie County - and through the generosity of community, corporate and private friends and supporters.